the world of music:
Readings in Ethnomusicology
Editor: Max Peter Baumann
(the world of music Vol. 52(1-3) - 2010)
Contents:
Aspects of Music History: Archaeology, Iconography, and the Transcultural Interest
- Arnd Adje Both:
Aztec Music Culture
- Gerald Groemer:
The Rise of "Japanese Music"
- Bonnie C. Wade:
Performing the Drone in Hindustani Classical Music:
What Mughal Paintings Show Us to Hear
- Bruno Deschênes:
The Interest of Westerners in Non-Western Music
Musical Instruments: Between Re-contextualization, Imagination,
and Modernity
- Karl Neuenfeldt:
Good Vibrations? The "Curious" Cases of the
Didjeridu in Spectacle and Therapy in Australia
- Toru Seyama:
The Re-contextualization of the Shakuhachi
(Syakuhati) and its Music from Traditional/Classical
into Modern/Popular
- Paula Conlon:
The Native American Flute: Convergence and
Collaboration as Exemplified by R. Carlos Nakai
Musical Instruments: Beyond the Local and the Global
- Rainer Polak:
A Musical Instrument Travels Around the World:
Jenbe Playing in Bamako, West Africa, and Beyond
- Thomas Turino:
The Mbira, Worldbeat, and the International
Imagination
- Linda Fujie:
Japanese Taiko Drumming in International
Performance: Converging Musical Ideas in the
Search for Success on Stage
Sounding Voices: Identity, Spirituality, and Cultural Inheritance
- Gregory Barz:
Soundscapes of Disaffection and Spirituality in
Tanzanian Kwaya Music
- Laura Leante:
Shaping Diasporic Sounds: Identity as Meaning
in Bhangra
- Dan Bendrups:
Easter Island Music and the Voice of Kiko Pate:
A Biographical History of Sound Recording
Inventing Traditions: Revival, Music Festivals, and Transculturalization
- Timothy J. Cooley:
Folk Festivals as Modern Ritual in the Polish Tatra
Mountains
- Max Peter Baumann:
Festivals, Musical Actors, and Mental Constructs
in the Process of Globalization
- Owe Ronström:
Revival Reconsidered
Music, Gender, and the Individual
- Jonathan P. J. Stock:
Towards an Ethnomusicology of the Individual, or
Biographical Writing in Ethnomusicology
- Regula Burckhardt-Qureshi:
In Search of Begum Akthar: Patriarchy, Poetry, and Twentieth-Century Music
- Beverly Diamond:
Native American Contemporary Music: The Women
Ritual and Drama: Observation, Interpretation, and Reconstruction
- Regine Allgayer-Kaufmann:
From the Innocent to the Exploring Eye: Transcription on the Defensive
- Martina Claus-Bachmann:
Kuveni, or the Curse of a Women as a Flashpoint for Music-oriented (Re-)Constructions
- Tiago de Oliveira Pinto:
Healing Process as Musical Drama: The Ebó Ceremony in the Bahian Candomblé of Brazil
Meaning, Style, Genre, and Change
- Margaret Kartomi:
Meaning, Style, and Change in Gamalan and
Wayang Kulit Banjar Since Their Transplantation
from Hindu-Buddhist Java to South Kalimantan
- Sonjah Stanley Niaah:
A Common Space: Dancehall, Kwaito, and the
Mapping of New World Music and Performance
- Sydney Hutchinson:
Becoming the Tíguera: The Female Accordionist in
Dominican Merengue Típico
Listening, Hearing, and Understanding
- Jean During:
Hearing and Understanding in the Islamic Gnosis
- Carl Gombrich:
Expressions of Inexpressible Truths: Attempts at
Descriptions of Mystical and Musical Experiences
- Ben Brinner:
Cognitive and Interpersonal Dimensions of
Listening in Javanese Gamelan Performance
- Christian Utz:
Listening Attentatively to Cultural Fragmentation:
Tradition and Composition in Works by East Asian
Composers
Music, Politics, Ecology, and Democracy
- Svanibor Pettan:
Gypsies, Music, and Politics in the Balkan: A Case
Study from Kosovo
- Chan E. Park:
Poetics and Politics of Korean Oral Tradition in a
Cross-cultural Context
- Nathan Hesselink:
Taking Culture Seriously: Democratic Music and
Its Transformative Potential in South Korea
- Jeff Todd Titon:
Music and Sustainability: An Ecological Viewpoint
Acknowledgements
About the Contributors
Index
