Who Actually Needs Transcription? Notes on the Modern Rise of Method and the Postmodern Fall of an Ideology
Rytis Ambrazevicius:
The Perception and Transcription of the Scale Reconsidered: Several Lithuanian Cases
Triinu Ojamaa:
Throat Rasping: Problems of Visualisation
Regine Allgayer-Kaufmann:
From the Innocent to the Exploring Eye: Transcription on the Defensive
Gerd Grupe:
Notating African Music: Issues and Concepts
Wim van der Meer:
Visions of Hindustani Music
Nicolas Magriel:
Visualising North Indian Music: Looking at Khyal Songs
Frank Kouvenhoven:
Transcribing "Time" in Chinese Non-measured Songs
Book Reviews (Tina K. Ramnarine, ed.)
Daniel Avorgbedor:
Charry, Eric. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africas
Tong Soon Lee:
Matusky, Patricia, and Tan Sooi Beng. The Music of Malaysia: The Classical, Folk and Syncretic Traditions
Jonathan McIntosh:
Stige, Brynjulf. Culture-Centered Music Therapy
Katherine Butler Brown:
Ruckert, George E. Music in North India: Experiencing Music, Expressing Culture - Viswanathan, T., and Allen, Matthew Harp. Music in South India: Experiencing Music, Expressing Culture
Recording Reviews (Gregory F. Barz, ed.)
Geoffrey Whittall: Masters of the Balafon: (1) Friend, Well Come!; (2) The Joy of Youth; (3) The Wood and the Calabash. Produced by Hugo Zemp. Selenium Films